The Elder Scrolls Adventures II: Yokuda

The Elder Scrolls Adventures II: Yokuda would be an open-world action RPG for Wii U, Xbox One, PS4, PS Vita, and PC, and the distant sequel to the game The Elder Scrolls Adventures: Redguard, made in 1998. My desire to make an idea is fueled by a few factors, the most important of which is my lifelong love for the Elder Scrolls franchise, and another being my passion for its lore.

Since there are already a few ideas on this site for main-series Elder Scrolls games, all of which I'm personally impressed by, I don't have much of a desire to create one myself. Instead, I thought it would be cool to whip up an idea for a second spinoff telling the tale of a pre-set group of characters and enriching the deep, amazing lore of this franchise.

My plan for this idea is to incorporate my favorite gameplay elements of all the existing ES games I've played, and tell my own interpretation of what happened to the island of Yokuda, from where the Redguard people hail, but that sunk into the ocean for somewhat debated reasons. I'm hoping to make this not only a decent layout for a possible RPG, but a tribute to one of my favorite game series of all time.

Plot
ESAII: Yokuda would tell the legendary story of Frandar Hunding, a master of swordplay and leader of the Sword-Singers, a group of the most powerful warriors in the ancient desert island nation of Yokuda. The story extends all the war from Hunding's young life to his older years, up to when he spearheaded the Yokudans' migration into the main series continent of Tamriel, where they founded the nation of Hammerfell, home of the Redguards.

The game's story would be divided up into rough stages that I will describe here, but I should say that even though this game has a set story, acted cutscenes, and a specific protagonist, these would not impede the games explorability at all. This game's main hub world of Yokuda, is massive in scale and would be fully fleshed out for players to experience.

Part 1: Hunding's Early Life
Frandar Hunding's father died during his teenage years as part of a revolt that took place when the tyrannical emperor of Yokuda, Randic Torn, was killed. Frandar is left to took after his mother and four sisters, during which time he becomes a master of the sword. He soon becomes renowned for his talent and is in high demand as a hired sword, but he is also challenged by numerous foes, including the evil Lord Janic and his seven Liches.

Around this time, Frandar also creates a combative art called the Shehai, or Way of the Spirit Sword, which eventually allows him to magically create swords from pure thought.

Part 2: Ultimate Mastery and Retirement
Frandar eventually brings the Shehai art to its greatest degree, through which he can convert his thoughts into an unstoppable weapon that can only be destroyed by killing its user. Shortly after this, Hunding retires to the desert, where he writes his learnings and philosophy down in what becomes the Book of Circles.

Soon enough, he goes into total seclusion until being sought out by his son Divad, a next-generation Sword-Singer, who claims that the group needs his help.

Part 3: The War of the Singers and Migration to Hammerfell
It turns out that the orcish Emperor Hira has formed an army of orcs with the intention of wiping the Sword-Singers from the desert. The Singers, meanwhile, have become scattered and vulnerable, making it necessary for Frandar to unite them under his teachings into what becomes the Army of the Circle, named for his book.

A series of seven battles ensues, which Frandar intends to culminate in the "falling of the Hammer upon the Anvil." Over these battles, the Army of the Circle became more and more masterful in the Shehai. The final battle in the war takes place at the base of Mount Hattu, which Hunding determines to end either their defeat or the death of Emperor Hira. Although outnumber thirty to one, the Sword-Singers prevail through sheer determination and skill.

Though fewer than 20,000 Sword-Singers survive in the aftermath of the war, they leave 300,000 of the enemy dead in their wake. After paying respects to their fallen, the Yokudans decide to leave their homeland in the face of their recent troubles and the impending destruction of the island. They vow to learn new ways on the journey their, and upon reaching Tamriel, they name their new home Hammerfell, after the exploits of the Sword-Singers.

Gameplay
This game would follow a pattern of gameplay similar to all other Elder Scrolls games: at its core, it would be a game about interaction, exploration, and combat, and this would go unaffected despite the set protagonist and story phases. Ideally, it would refine the gameplay to be responsive, efficient, and intuitive; presumably this would be an easier task considering that it's had several different interpretations over the years, but I'll go into further detail below.

Combat
Given that this game would be about the rise of one of Tamriel's strongest warriors, there would be a great emphasis on the flow and physics of combat. This game would often involve fighting numerous enemies at once, or fighting several large, powerful enemies at once. Considering this, the slow, clunky, weighty combat physics in Skyrim wouldn't be carried on into Yokuda. Instead, it would be based more on the fast, streamlined fighting in Oblivion, the fourth title in the main series.

Despite this inspiration, Yokuda 's combat would be unique to every other title in the series, borrowing elements from various games while expanding on the basic formula.

The most common weapons in this game would be spears, shortbows, thrown projectiles like shurikens and knives, and very light swords, both long and short. There would be far fewer heavy weaponry in this game, particularly compared to Skyrim. The reason for this is, I see Yokuda as much more comparable to Asia, more specifically Arabia, than anywhere else in the real world. From what I know, ancient weaponry in those parts of the world is tailored more to speed than power. So it would be in this game!

Another major point about combat in this game is that the hit detection would be somewhat more generous, but mainly more accurate. This is to do away with the frustration of running up to an enemy and doing a power attack, only to not have it count because the 'hit box' is placed directly in front of the player, as opposed to in a certain area around the player. It might also take away the need to swing wildly during combat in order to have any effect.

One more important change would be intended to add realism to the combat, but in a way other than making the physics more realistic. Unlike every other game, there would be no consistent, repetitive rhythm to swinging a weapon around. Instead, swinging repeatedly will result in strikes are slightly different speeds from different directions at different intervals, to add more spice and unpredictability to each encounter.