The Element Chronicles

The Element Chronicles would be a highly customizable adventure game for the Wii U, Xbox One, PS4, and PC. It would be unique for its options to customize not only appearance, but also weaponry and magical abilities stemming from natural elements.

For a long time, RPGs and adventure games have been one of my favorite genres of video game. I've been playing them since I was little, since I always found them the most engaging and immersive of all the games I played. More specifically, though, I loved fantasy RPGs, most likely since I grew up on stuff like Zelda, Elder Scrolls, and Lord of the Rings.

This has, over time, become my signature idea, and for good reason. I've poured my heart and soul into this, and it combines elements from some of my favorite games of all time. Hopefully, it's the best it can possibly be, and you all enjoy it!

Plot
The basic plot of the game would be that you are a resident of a world divinely governed by two deities, a male and a female named Rhey and Rhea respectively, whose children (predictably a mixture of sons and daughters) represent all of the thinkable elements.

Rhey is told by a horrendous villain, named Gomorthos, that the people of his world are exploiting the elements but are showing no respect for the gods and goddesses who provide them. However, it's all a convincing, contrived illusion made to deceive all of the gods and make them betray their own people.

Rhey is fooled by Gomorthos's ruse, and is outraged. He quickly decides that the people of Hanifell need to learn respect, and sends creatures down to restore order to the land. Rhea, however, distrusts Gomorthos and believes that the people are not responsible for any wrongdoing. They get into a heated argument, and ultimately, half the gods side with Rhey and half with Rhea. Rhey and his sons send horrid creatures based on the respective elements into Hanifell while Rhea and her daughters send equally horrid creatures to try to repel them. Ouright battle is about to begin.

This is exactly what Gomorthos wants to happen, because a weakened world will allow him to gain control, and amid the chaos, he can gain the trust of Rhey and steal the Metakhronos Sword, a weapon crafted by the god of time, Sentris, and the goddess of space, Vaia. Sentris and Vaia were tricked into creating it by the god of entropy, Zyr, who persuaded them to help him create a weapon that could crush the gods and their domain as an ultimate security precaution in case they should abuse their power, even though such a weapon shouldn't have been created by gods who were meant to remain neutral in mortal affairs.

The Metakhronos Sword was imbued with the power to manipulate time and space, and Zyr used this against Vaia and Sentris to try to defy their authority and overthrow the elemental gods. The sword was kept away after the elemental gods managed to stop Zyr, but it still has the power to control time in a battle, so much so that not even the divinities could defeat it without trouble.

However, there is one person who remains a symbol of hope. The main character (who can be named anything the player wants, but for purposes of clarity I'll just call Zeta) departs from home as part of a journey of spiritual discovery, necessity, leisure, or many other customizable options, and ends up in the middle of the titanic conflict that has erupted in the land. The actual adventure begins when Zeta is in the middle of a town when the fighting starts, and this is where the opening of the game would also take place. Zeta puts up a strong fight, but ultimately, his/her basic weapon is not good enough and he/she gets knocked out in an explosion. He/she hears a mysterious female voice in his/her head, telling him/her to travel deep into the wilds, unlock the power of the elements, and prevent the destruction of Hanifell (the planet where the game takes place).

Zeta then ventures to all of the Elemental Realms, sections of the world which are dominated by particular elements, and which are located throughout Hanifell. He/she must then defeat as many creatures as necessary in each one, and fight all of the Patreal beasts, fierce creatures which are the secret weapons behind the Rhey's endeavor to restore world order. Once a Patreal beast is defeated, Zeta obtains a gem that is the sacred relic of the Realm. When all of these gems are collected, he/she will have the element power strong enough to confront and expose Gomorthos, and therefore save the world from a dreadful fate.

Gameplay
My idea is for this game to be a real-time RPG, much like The Legend of Zelda or Monster Hunter. Its fighting physics would be much like Monster Hunter in that the physics would change depending on the weapon being used. Heavy weapons would have more heft and would take longer to swift, but would have a larger radius of effect. Meanwhile, a vanilla sword and shield would be effective in its own right, since it would be a combination of maneuverability and power.

In many ways, this game would appear similar to Hyrule Warriors, or Dynasty Warriors in general. Movement would be realistic, and elemental magic attacks would range from small and precise to large and devastating. However, it would cross with the physics of Monster Hunter, and enemies would be fewer and more powerful.

This game would also have its share of platforming, which would blend into the environment to make it feel more natural. Items like a grappling hook and boots of temporarily flight would make platforming more interesting as well, but could also be integrated into combat to give them more depth.

Character customization
The main character can be of either gender, and his/her appearance could be customized in detail. His/her weapons could be shaped and designed to suit the player, but the player would also begin with two basic powers based on two different elements.

Each element sports a variety of options for powers. At the start of the game, after choosing which two elements to specialize in, the player can select one of three sub-powers to work with for each one. The player could then upgrade these base powers more quickly than others, along with other powers of the same element. Although, it should be mentioned that any power of any element would be obtainable somewhere, somehow in the overworld.

The player can also select a class at the beginning of the game similar to Elder Scrolls IV: Oblivion. They could select from preset classes, or could alternatively create a custom class consisting of major and minor skills. Major skills would advance fastest, minor skills would advance a bit more slowly, and ones in neither category would be slowest. The skills to choose from would be:
 * Long weapons
 * Short weapons
 * Blunt weapons
 * Dual wielding
 * Hand-to-hand
 * Smithing
 * Launched projectiles
 * Thrown projectiles
 * Stealth
 * Mystics
 * Speechcraft
 * Destructive magic
 * Defensive magic
 * Healing magic
 * Speed
 * Endurance
 * Strength
 * Agility
 * Heavy armor
 * Medium armor
 * Light armor

Weaponry
The weapons customization for this game would work in an interesting way. There would be four categories of weaponry:

Primary weapon
This weapon would be special in that you would go into the game with it armed first. The player would be given various choices of beginning primary weapon; I wouldn't limit this selection to medieval  Western weapons, although they would be included. I would also incorporate Eastern weapons, such as:


 * Nunchaku


 * Bo staffs


 * Tonfa


 * Katanas


 * Ninjatos


 * Staffs-in-three-parts


 * Tantos


 * Double blades


 * Double tantos
 * Scimitars

As I mentioned, there would be some medieval-style weapons as well, such as:
 * An invention of my own: a tonfa staff, which would be a short staff with a bar protruding from the middle to be operated like tonfa.


 * Broadswords


 * Maces


 * Battleaxes
 * Warhammers

Some weapons would have a variation in styles; for example, the tonfa could be operated in numerous ways, and the all swords (with possible exception of the broadsword) could be used with a backhanded grip, which I am personally an avid fan of.
 * Longswords
 * Handaxes
 * Shortswords
 * Daggers
 * Spears

Secondary weapon
The selection for the secondary weapon would be the same as for the primary, but a button can be used to switch between them.

Ranged weapon
As is known to us all, a hero is nothing without a ranged weapon. This, too, would be a diverse selection. The way I have it now, I would make available:


 * Longbows


 * Shortbows


 * Slingshots


 * Shurikens


 * Throwing daggers


 * Throwing maces


 * Boomerangs
 * Bolas
 * Caltrops

This, too, would be a part of the weapon cycle.

Magic
Magic would also contribute to the weapon mechanics, but they would have other uses as well.

For example, say you have air and lightning as your two specialized elements, and are using a longbow as a ranged weapon. When in shooting mode, you can toggle whether you want a plain projectile, one powered up with air, powered up with lightning, or one powered by both. The more elements you have the arrows imbued with, the more magic would be required, but the more potent they would be.

Elements
You can obviously derive from the title of The Element Chronicles that elements are an essential feature to the game, but insofar, their role hasn't been explained yet, you can use them for battle or for utility (in order to progress in the game). For example, it must be told what the elements are, what they symbolize, and whether they are represented by a god or goddess. To start, here is the list of elements.

Fire
One of the four classical elements, fire is a symbol of bravery, passion, ferocity, and perseverance. In this game, the Fire will be an offensive weapon that can deal damage to a large group of enemies and apply continuous damage over time for a short time, outside of battle, it can be used to melt snow and ice. This element is represented by the god called Magnus.

Water
Water is another of the four classical elements, water is a symbol of commitment, skill, resposibility, and pride. In this game, water can be used to slow down enemies' movements, use it as a protective bubble shield to absorb magical attacks and focus it to launch away a huge mass of water in a line. Outside of battle, it can pull down fires and you can dive and swim on water levels. This element is represented by the goddess called Aquaria.

Air
Air (or to some extent, Wind), being another of the four classical elements, is a symbol of intelligence, wisdom, cleverness, and knowledge. In this game, air can be used to push enemies away, create small tornadoes or wind gusts to damage enemies and allows you to throw and slam enemies. Outside of battle, it allows you to glide shortly and double-jump to reach high terrain. This element is represented by the goddess Athenea, based on the Greek goddess of wisdom and cleverness Athena.

Earth
Earth is a notorious classical element (and the last of the 4 classical elements as well), earth is a symbol of compassion, humanism, strength, and tolerance. In this game, earth can be used to shake the terrain, lift and throw stones or boulders and use it as a defensive wall againist melee attacks. Outside of battle, it allows you to break certain stones or debris. This element is represented by the goddess Terra.

Grass
Grass is not usually acknowledged as being an element, but still qualifies as one in this game. It is a symbol of might, righteousness, power, and humor. Grass involves summoning logs to deal large yet slow damage to enemies, summon trees and forests around you to damage enemies in an area and also bind certain enemies with vines to stop their actions for a short time. Outside of battle, it recovers your vitality little by little. This element is represented by the goddess Hydra.

Sand (or Desert)
Sand is another qualifying element in this game. Sand represents complexity, depth, and definition. You can create sandstorms to deal continuous damage in exchange of not being able to do other actions while it's active, it can also be used to protect you from both melee and ranged attacks by nullifying some damage incoming from them and create quicksands so that enemeies are sucked in a determined position (for easy ways to deal damage). Outside of battle, this element is one of the few that has no real use. This element is represented by the god Sahara.

Ice
Ice is one of the last qualifying elements in this game. It pairs along with Snow to some extent. This element can be used to freeze the terrain so enemies have restricted or are slipped away by the hazard, freeze enemies for some seconds to prevent them from acting and summon cold rain that falls down on a large amount of enemies. Outside of battle, it can be used to freeze water in order to walk over it or to block the water flow in order to progress. This element is represented by the goddess Crystal (sibling of Invernus).

Snow
Snow is the last qualifying element in this game. It pairs along with Ice to some extent, but they have some differences. Snow can be used to summon blizzards and damage enemies around you, throw barrages of snowballs at enemies and damage enemies over time with a snowy wether. This is another of the few elements that has no real use outside of battle. This element is represented by the god Invernus (sibling of Crystal).

Dark
Dark is an element opposite to Light. Dark is used for utility more than offense; it can be used for limited stealth, to throw shadow spheres at random enemies, and to disorient enemies so they have a lesser chance to damage you. Outside of battle, this can be used to briefly teleport from one spot to another by using your shadow. This element is represented by the god Shayd (twin of Lumina).

Light
Light is an element opposite to Dark. Light can be used to summon light pillars that fall down as a majestic rain on the battle, fire away beams of light in a straight direction, or protect yourself with a light shield that absorbs the next incoming attack. Outside of battle, it can be used to illuminate dark stages or levels for a brief amount of time. This element is represented by the goddess Lumina (twin of Shayd).

Lightning
Lightning is one of the special elements introduced to this game. You can charge this element up by moving constantly and the attack's strength will depend on how much you charged it. It can go from small thunderbolts to a huge thunderstorm, and it ignores enemies' shields and defenses. Still, it is costly and restricts your actions. This element can be used to make machines and special things work outside of battle. This element is represented by the god Zaius.

Metal
Metal is another of the special elements introduced to this game. This element is used specially to summon melee weapons in-game, and in battle, you can create metal spheres that punish enemies in their way and create a defensive wall that greatly reduces the incoming damage. This element seems not to have an actual god, since it is mostly an artificial element. In this sense, the god of metal is essentially humanity.

Time
Time is not a real element but an actual power of the Metakhronos Sword. Manipulation of this power is taught to you by obtaining said sword and defeating the god of time Sentris in battle (as one of the 3 trials offered by Gomorthos in order to defeat him in battle). You can use this power to slow down your surroundings and approach combat more efficiently, or completely stop time and move freely for a brief moment.

Space
Space is another power of the Metakhronos Sword, this power is taught to you by having the said sword and defeating the goddess of space Vaia in battle (as one of the 3 trials offered by Gomorthos in order to defeat him in battle). You can use this power to alter space around you and harm enemies, but you can also create small black holes that swallow amounts of enemies (although it can be used once per battle) and turn gravity lighter (to make yourself more swift and certain enemies to be able to float) or heavier (to make you and the enemies slower, and even down airborne enemies).

Dimension
Dimension is the hidden master power of the Metakhronos Sword, mixing both time and space to act in battle. You can obtain this power in the easter egg involving Isaac (the Dimensional Administrator), and this power will summon him to either stop enemies from acting and then distort and explode the map around you to deal incredible amounts of damage. However, since this power is dependent on an entity and is pretty powerful, you can't cast it often, and must wait out a long cooldown period to use it again. You can also use the sword to summon clones of it that land on the ground, which can the be destroyed to deal radial damage.

Realms
As previously stated, the hero must necessarily travel through a variety or realms, each based on a different element. Essentially, basis on the element means a place that reminds one of that element, so imagining the details is rather simple. Regardless, I'll detail the realms and which elements they represent.

Aethron
Aethron would be represent Air/Wind/Sky in the game, a breezy, temperature land around the clouds to be lightly tread upon, and obviously to be flown through. It would be quite precarious, but skillful maneuvering should escort a player through safely. The boss at the end would be a tornado-based creature which would attempt to disorient the player and slam them into hard surfaces, all the while working to prevent damage to itself.

Volcindra
Volcindra would be the Fire realm, a bewared territory amid high heat and danger. Given its volatile nature, there would be the constant threat of collapsing debris, much of which could cause significant damage simply by contact. It requires good resourcefulness to navigate. The boss at the end would be aggressive, never hesitating in a rapid assault with heavy objects. It would be highly dangerous to approach, as it would be made not even of lava or rock, but of pure orange and white flame.

Terraitra
Terraitra would be the most basic in nature of the worlds, representing Earth. It would be comprised mainly of fields, but often interjected would be hills and rocky areas. It'd simply take spirit to overcome. The boss at the end would be crafty, looking to attack from various places beneath the ground. Thusly, he'd warrant quick reflexes and foresight.

Meroth
Meroth would be the Water realm, one which would require cunning and good navigation skills, as well as some good puzzle solving ability. One of the most difficult aspects of traversing Meroth would be the potential need for evasive maneuvers, since many unholy terrors have been known to dwell in Meroth. The boss at the end would be precise, aiming to hit you with straight on attacks, but its weakness would be its vulnerable body that could be damaged when it tries to attack you. Good timing would be key.

Silvaine
Silvaine would be the Forest realm, a beautiful yet challenging place. It'd be close to what you would imagine a forest to be, but it would be populated by fantastical creatures who will not hesitate to attack you, warranting good fighting ability and the will to improvise and survive. This would be how the boss at the end must be approach, as it would be powerful and takes a good fighter to analyze and harm.

Thermoth
Thermoth would be the Sand (Desert) realm, a vast and dry landscape that would mean punishment and perhaps death to find yourself lost in. As such, this realm would require great perseverance to overcome. The boss at the end would be very direct, its strategy being to come right at you and catch you off guard. You'd have to be rather fast to outwit him, making him a wonderful challenge.

Arcata
Arcata would be the Ice realm, a gloomy world of punishment and danger (and the classic video game danger of slipping). To get through it would require determination. The boss at the end would be clever, working to get you into a trap by making you dodge another. As such, it would also require a good deal of cleverness to overcome him.

Frigidon
Frigidon would be the Snow realm, a very large and blurry place where merely seeing would a challenge, let alone fighting and progressing. Getting through this world would mainly demand good instincts. The boss at the end would be skilled and strong, attempting to hit you with powerful long-range attacks that'd cause significant damage, meaning you should probably work on your dodging to face him.

Morthea
Morthea would be the Dark realm, and given that, it would actually take the form of a large cave system. Although you'd typically get some form of environmental warning as to when something would be about to attack you, it'd be easy to get ambushed in these surroundings. Defeating this world would take courage and focus. The boss at the end would try to take advantage of the darkness to attack you, but you could stop him by moving constantly and finding some way to light the room and get the upper hand.

Solera
Sola would be the Light realm, a heaven-like land that would be very bright and enjoyable to look at. But don't be fooled, as many foul creatures could strike from nowhere, and use attacks such as light beams and energy balls to land decisive blows. If you're going to beat this level, you would be good at dodging and quite crafty to evade the attacks that you'd see in this place. The boss at the end would try to stun you by blinding you and then striking, but would also keep you on your toes with a light beam that he would try to focus on you. The key to defeating him would be using properly angled mirrors.

Amperiam
Amperiam would be the Lightning realm, extremely dangerous and unpredictable. Lightning would continually strike everywhere, making it necessary to move quickly and not remind idle, as you could be seriously hurt if you don't. The boss at the end would try to electrocute you by not only electrifying the ground, but also the air around you. It could also cause lightning to strike at will. The key to this boss would be tricking it into electrocuting itself by means of the environment.

Aurus
Aurus would be the section of the overworld focusing on metal, and would consist mainly of lost scrap metal. However, it would also be the location of the hidden shell of the Shizen Blade, to be visited by Zeta after collecting all the elemental essences.